“cinema seats” by mark lorch is licensed under CC BY-NC 2.0
Notes:
Introduction
- Saving Private Ryan (1998) dir. Steven Spielberg
The shaking camera and water shots create a feel of the audience being there, struggling through the water.
- Three Colors: Blue (1993) dir. Krzysztof Kieślowski
- Casablanca (1942) dir. Michael Curtiz
Too fast paced, not classical
- The Record of a Tenement Gentleman (1947) dir. Yasujirō Ozu
Nice slow shots, giving the audience a pleasant break from the movie. Also, use of squares in a nearly square frame.
- Odd Man Out (1947) dir. Carol Reed
Uses bubbles to reflect the characters stressors
- Two or Three Things I Know About Her (1967) dir. Jean-Luc Godard
Borrows from the above
- Taxi Driver (1976) dir. Martin Scorsese
Borrows from both the above
- The French Connection (1971) dir. William Friedkin
1895-1918: The World Discovers a New Art Form or Birth of the Cinema
- Traffic Crossing Leeds Bridge (1888) dir. Louis Le Prince
- The Kiss (1896 film) (a.k.a. May Irwin Kiss) (1896) dir. William Heise
Something people could relate to
- Workers Leaving the Lumière Factory (1895) dir. Louis Lumière
- Arrival of a Train at La Ciotat (1896) dir. Louis Lumière
Scared the audience, might think it’s laughable today, but if you’ve ever tried VR, you duck when something is thrown at you.
- Annabelle Serpentine Dance (1894-1896 ?) dir. William Kennedy Dickson or William Heise
- Sandow (1894) dir. William Kennedy Dickson
- What Happened on Twenty-third Street, New York City (1901) dir. George S. Flemingand Edwin S. Porter
- Cendrillon (1899) dir. Georges Méliès
- Le voyage dans la lune (1902) dir. Georges Méliès
Astounded viewers, unimaginable to most people, unfortunately almost solely worked on in France without other countries.
- La lune à un mètre (1898) dir. Georges Méliès
- The Kiss in the Tunnel (1899) dir. George Albert Smith
- Shoah (1985) dir. Claude Lanzmann
- 2001: A Space Odyssey (1968) dir. Stanley Kubrick
The effects were as if the character was moving directly through the cosmos itself, undoubtedly amazing the audience with it’s unbeforeseen visions.
- The Sick Kitten (1903) dir. George Albert Smith
First close up shot, showing a kitten being fed medicine. It would be copied all over.
Sense of movement given by a woman’s hand slipping off the bridge.
- Once Upon a Time in the West (1968) dir. Sergio Leone
Close up shot shows the revelation of finding out who the murderer he was searching for his whole life.
- The Corbett-Fitzsimmons Fight (1897) dir. Enoch J. Rector
First use of wide screen cinema
1903-1918: The Thrill Becomes Story or The Hollywood Dream
- Life of an American Fireman (1903) dir. Edwin S. Porter
First true cuts, showing many different angles.
- Sherlock Jr. (1924) dir. Buster Keaton
Used double exposure for effects, portrayed himself in many other movies using it.
- The Horse that Bolted (1907) dir. Charles Pathé
Parallel editing
- The Assassination of the Duke of Guise (a.k.a. The Assassination of the Duc de Guise) (1908) dir. Charles le Bargy and André Calmettes
- Vivre sa vie (1962) dir. Jean-Luc Godard
- Those Awful Hats (1909) dir. D. W. Griffith
- The Mended Lute (1909) dir. D. W. Griffith
- The Abyss (1910) dir. Urban Gad
Very famous actor, europe had less censorship
- Stage Struck (1925) dir. Allan Dwan
Introduced the concept of costumes more
- The Mysterious X (1914) dir. Benjamin Christensen
- Häxan (1922) dir. Benjamin Christensen
Multiple lighting sources, director himself played the devil.
- Ingeborg Holm (1913) dir. Victor Sjöström
- The Phantom Carriage (1921) dir. Victor Sjöström
Multilayered film, with cuts, blue light, and stories
- Shanghai Express (1932) dir. Josef von Sternberg
- The Story of the Kelly Gang (1906) dir. Charles Tait
Filmed in Australia, first feature film.
- The Squaw Man (1914) dir. Oscar Apfel and Cecil B. DeMille
Highlighted the importance of the 180 degree line, which you must always keep to the same side of.
- The Empire Strikes Back (1980) dir. Irvin Kershner
STAR WARS!!! YEAH BOIII
Good use of the directional shots, which show the connection between characters and place.
- Falling Leaves (1912) dir. Alice Guy-Blaché
One of the first arc films, directed by a woman director, one of the first directors overall.
- Suspense (1913) dir. Phillips Smalley and Lois Weber
Chase scene using a car mirror, with a three way display of the intruder, the wife, and the husband
- The Wind (1928) dir. Victor Sjöström
Short film using wind and sand to uncover a body
- Rescued from an Eagle’s Nest (1908) dir. J. Searle Dawley
Introduced the moving trees.
- The House with Closed Shutters (1910) dir. D. W. Griffith
- Way Down East (1920) dir. D. W. Griffith
- Orphans of the Storm (1921) dir. D. W. Griffith
- The Birth of a Nation (1915) dir. D. W. Griffith
Racist as all hell (bad)
Beautiful cinematography (good)
Led to rebirth of the Klan (bad)
- Rebirth of a Nation (2007) dir. DJ Spooky
skribbled on the racist stuff
- Cabiria (1914) dir. Giovanni Pastrone
Impressed Griffith with it’s moving dolly shots and the scal
- Intolerance (1916) dir. D. W. Griffith
3 hour film about the struggle of love, used edits to compare
- Souls on the Road (a.k.a. Rojo No Reikan) (1921) dir. Minoru Murata
Intertwining storylines